I hire, train and run your content team.
I come in as your Head of Content and turn your content into booked calls. 300M+ views and multiple 7 figures in revenue across the channels I've worked on.
I join your company. The team is yours.
Not an agency. I come in as your fractional Head of Content, set the content strategy and build the team inside your business, so everything it learns stays with you.
Build
I hire the people you're missing: editors, a thumbnail designer, a scriptwriter, a strategist. They work for you, not for an agency.
Train
Every person gets a clear job, a standard for what good looks like, and feedback with a reason, so the same note never comes back.
Run
I run the weekly meetings and the daily scorecards, so every video ships on time without you chasing anyone.
Lead
I own the content strategy: what we make, for who, and why. Every video is tracked to booked calls and sales, and each week the team goes on the biggest thing holding the channel back.
What happens when I come in.
Most founders hire an editor, give them no system, and wonder why 4 people on content bring in $100K a month when it should be $300K. Here's how I fix that, in the order it happens.
-
01First two weeks
I find out where the time goes.
I sit in on everything and talk to every person on the team. For three days everyone writes down what they're doing every 30 minutes, so we see exactly how much time goes to work that brings in zero revenue. Then I give every step of a video one owner. When a video flops, we know who to talk to.
IdeaFounder + strategistPackagingDesignerScriptWriterEditEditorUploadMeDataMe -
02Weeks two to six
I hire whoever is missing.
Usually that's a thumbnail designer or a strategist. I write the job ad with the pay and exactly what the person will own, so the wrong people filter themselves out. Every candidate does a small paid test on one of your real videos, because a test on your brand tells me more than any portfolio. Each hire gets a one-page doc: what they own, what good looks like, who they hand off to.
-
03Every video
Every video is tracked to money, not views.
Each video gets its own link on your domain, so we see who clicked, who booked a call, and which of those calls became sales. That's the number the team is judged on. A bottom-of-funnel video will get fewer views, and if the team only looks at YouTube Studio they'll feel like it failed. Show them booked calls per video and they know what a win looks like.
Video→Click→Booked call→Sale -
04When a video misses
We find the step that broke, and train the person who owns it.
We go down the chain in order: was it the idea, the packaging, the hook, the script, or the edit? We stop at the first one that failed and I work with the person who owns that step, so it doesn't happen again. An agency fixes the comment so the video gets approved. I'd rather fix the person.
-
05Your part
You stay in the ideas. Nothing else.
People buy you, so I never take you out of ideation. Voice notes, tweets, a quick DM to the team, whatever is easiest for you. Once a week your strategist brings you 10 to 20 ideas built from that and you pick. From there the team executes without you, and you get one simple dashboard: your three content goals, where each one stands, and who owns what.
Who's running your team.
- >Was YouTube Manager for Alex Hormozi, Leila Hormozi and Sharran Srivatsaa.
- >Contributed to over 300M views, both entertainment (a 40M-subscriber cooking channel) and business (Hormozi).
- >Helped generate multiple 7 figures for my clients.
- >Worked in multiple markets, like the US and Dutch market.
- >Been on every side of content: designer, strategist, head of content, founder.
An agency rents you a 6/10. I build you a 9/10.
An agency gets you started today with their system, and it's the same system on every client. It never gets better than a 6, because nobody inside your company owns it. The only way to a 9 is in-house: your own team, your own strategy, and someone running it every day.
- Their system, on every client
- One style, on every channel
- Great discovery call, then an overseas team
- Leaves when the contract ends
- Your team, hired for your brand
- Packaging built for your buyer
- Every miss trains someone
- Stays, and compounds
Want a content team that runs without you?
Walk me through your team, your numbers and your content strategy. By the end you'll know exactly what I'd change, and whether this is a fit.
Under $250K a month? Watch the free training instead.
One hour with me, on your content.
Bring your channel, your numbers and your team. We go through your content strategy, what's working, what isn't, and you leave with a list of exactly what to change.
Open roles
We build small, serious content teams for founders whose businesses are growing. Every role has one clear owner, feedback comes the same week, and good work gets noticed. Remote, and made for fast learners.
Nothing open under those filters
Try widening one of them, or clear them to see all six roles.
Project Manager
Job Summary
Join us as our next Project Manager. We build and run media teams for educational creators. The people who teach what they know for a living, and sell it. Editors, designers and writers do the craft. You own the schedule, the handoffs, and the answer to “where is that video right now.” If you are the one who spots a slip three days before anyone else does, this is the job.
Your Role
The person who makes sure the work actually ships
You sit inside a client’s media pipeline and keep it moving. Every video has a chain: script, film, edit, graphics, thumbnail, review, upload. Your job is to know exactly where each one is, who is blocked, and what is about to slip, and to solve it before anyone has to ask.
This is not a note-taking role. You chase, you unblock, you make decisions about sequencing, and you tell people uncomfortable things early. A good project manager here means a channel publishes on time every week without the founder having to think about it.
We meet as a team every week to review the work, align on direction, and bring the content to the next level for more impact.
Ideal Candidate
- Fluent in at least one project management tool, and able to build a system in it rather than just use one
- Comfortable holding senior creatives to deadlines
- Organized to the point that it is a personality trait
- You solve problems rather than report them
- You re-plan on the spot when reality does not match the schedule
- You have the awkward conversation while it can still change the outcome
Requirements
- 2+ years managing creative or content production, ideally video
- Excellent written English, because most of this job is clear writing
- Available daily during your client’s working hours
- Daily project updates
- Files, folders and naming clean enough that anyone can pick up any project
What You’ll Do
Own the publishing calendar across every video in the pipeline
Track each video through every stage and keep status visible to the whole team without anyone asking
Run the daily and weekly rhythms — standups, review calls, deadline check-ins
Spot slips early and fix them: reassign, re-sequence, or escalate
Keep files, folders, and naming clean enough that anyone can pick up any project
Manage the tools (Notion, ClickUp, Asana, Frame.io, Drive) so they reflect reality, not last week
Be the single point of contact between the creative team and the client
You Shouldn’t Apply If
- You report on problems instead of solving them. This role is NOT easy & requires real commitment. We’re looking for someone who will put in the work that others won’t.
- You are stuck with your ideas or cannot take creative criticism.
- You need the plan to survive contact with reality.
- You avoid the awkward conversation until the deadline is already gone.
- If you can’t handle stress and pressure.
Think you’re a fit?
Apply today.
It takes about ten minutes. Have a link to your best work ready.
Apply now →Thumbnail Designer
Job Summary
Join us as our next Thumbnail Designer. We build and run media teams for educational creators. The people who teach what they know for a living, and sell it. You design the thumbnails, the single asset that decides whether any of the rest of the work gets seen. If you can explain why a thumbnail works and not just that it does, this is the job.
Your Role
A designer measured in clicks, not in how the file looks
You work from a title and a concept and turn it into an image that earns the click without lying about what is inside. Clean composition, readable at phone size, and a clear idea a viewer understands in half a second.
You will usually deliver several directions per video, take notes, and iterate quickly. The job is measured in CTR, not in how good the file looks at full size.
This is a per-project role rather than a full-time one, and we still need full commitment and clear, consistent communication. Reliable turnarounds, no ghosting, and someone who treats the channel like it’s their own.
Ideal Candidate
- Strong composition, typography and colour
- Retouching skill to make a phone-shot subject look premium
- You understand CTR and can explain why a thumbnail works
- Figma or Illustrator alongside Photoshop
- You bring back what the last thumbnail taught you instead of starting from scratch
- You can deliver several directions and kill your own favourite
Requirements
- 2+ years designing YouTube thumbnails, with a portfolio of channels you have worked on
- Expert in Photoshop
- Fluent English
- Same-day turnaround when a video is waiting on you
- Clean, organized, handed-over files
What You’ll Do
Design 2–4 thumbnail concepts per video and refine the chosen one
Work from the title and script so image and promise match
Cut out, retouch, and composite to a high standard — subject, background, text, effects
Design for phone-sized viewing first
Iterate fast on feedback and deliver clean, organized files
Watch performance and bring back what you learned for the next one
You Shouldn’t Apply If
- You make beautiful images nobody clicks. This role is NOT easy & requires real commitment. We’re looking for a designer who will put in the work that others won’t.
- You are stuck with your ideas or cannot take creative criticism.
- You deliver one concept and defend it.
- You cannot hit a same-day turnaround when a video is waiting.
- If you can’t handle stress and pressure.
Think you’re a fit?
Apply today.
It takes about ten minutes. Have a link to your best work ready.
Apply now →YouTube Scriptwriter
Job Summary
Join us as our next Scriptwriter. We build and run media teams for educational creators. The people who teach what they know for a living, and sell it. You write the long-form scripts: the structure, the hook, the argument, and the words that keep a beginner watching to the end. If you write to be understood rather than to sound clever, this is the job.
Your Role
A writer who builds retention into the structure
You write for someone with a job and no prior knowledge, not for people already in the industry. That means research, a clear promise up front, a structure that keeps opening loops, and language simple enough that nobody has to rewind.
You write in the creator’s voice, not your own. A good script here sounds like the person reading it wrote it themselves, and it holds retention because of how it is built, not because of how it is edited.
This is a per-project role rather than a full-time one, and we still need full commitment and clear, consistent communication. Reliable turnarounds, no ghosting, and someone who treats the channel like it’s their own.
Ideal Candidate
- A real understanding of retention, hooks, and why viewers click and stay
- You can point to videos you scripted and how they performed
- Strong research habits and no tolerance for invented facts
- You match a creator’s voice and rhythm so it reads naturally out loud
- You can start from a thin brief and come back with a structure
- You can cut a line you love once it stops working
Requirements
- A portfolio of long-form YouTube scripts, ideally in education, business or creator content
- Native-level written English
- Reliable turnarounds and consistent communication
- Daily project updates
- Work under tight deadlines
What You’ll Do
Write long-form YouTube scripts (10–25 min) from research to final draft
Build hooks that make the promise clear in the first thirty seconds
Structure for retention: open loops, payoffs, and a reason to keep watching at every turn
Research properly — real examples, real numbers, nothing invented
Match the creator’s voice and rhythm so it reads naturally out loud
Work with the title and thumbnail so the script delivers what the packaging promised
Take notes and revise fast
You Shouldn’t Apply If
- You need a full brief before you can start. This role is NOT easy & requires real commitment. We’re looking for a writer who will put in the work that others won’t.
- You are stuck with your ideas or cannot take creative criticism.
- You write to sound smart rather than to be understood.
- You cannot let go of a line that is not working.
- If you can’t handle stress and pressure.
Think you’re a fit?
Apply today.
It takes about ten minutes. Have a link to your best work ready.
Apply now →Cinematic Vlog Editor
Job Summary
Join us as our next Cinematic Vlog Editor. We build and run media teams for educational creators. The people who teach what they know for a living, and sell it. Alongside the long-form, they vlog. You turn a full shoot into a cinematic vlog that feels like a story, not a highlight reel with music on top. If you can find the through-line inside twelve hours of footage, this is the job.
Your Role
An editor who owns look, feel and narrative end to end
A travel or day-in-the-life shoot arrives as hours of A-roll, iPhone footage and drone B-roll, and you find the through-line inside it. The hook lands in the first thirty seconds and the energy holds across the whole runtime.
Cinematic, but never over-produced past the point where it stops feeling like the person on screen. Their real personality is the asset. Your job is to frame it, not to bury it under a grade.
This is a per-project role rather than a full-time one, and we still need full commitment and clear, consistent communication. Reliable turnarounds, no ghosting, and someone who treats the channel like it’s their own.
Ideal Candidate
- Strong colour grading, sound design, pacing and B-roll instincts
- After Effects on top of Premiere Pro or DaVinci Resolve
- You take a rough direction and return a finished piece without hand-holding
- You flag a missing shot early instead of quietly editing around it
- A reel where the story and the grade are clearly yours
Requirements
- A reel that proves cinematic storytelling: vlog, travel or documentary work
- Premiere Pro and/or DaVinci Resolve
- Fluent English
- Elite with deadlines. One vlog a month means the one you owe lands on time
- Clean, organized project files and milestone-based delivery
What You’ll Do
Cut a full shoot into one cinematic 15–30 minute vlog
Build the narrative: find the story, hook fast, and hold emotion across the runtime
Use everything provided — A-roll, B-roll, drone, the shot list — and know exactly what to leave out
Color grade to a premium standard with clean audio and music that matches each moment
Work from a written brief and must-keep shot list, and flag missing shots early instead of quietly editing around them
You Shouldn’t Apply If
- You make montages instead of stories. This role is NOT easy & requires real commitment. We’re looking for an editor who will put in the work that others won’t.
- You are stuck with your ideas or cannot take creative criticism.
- You need the brief to contain every decision.
- You go quiet mid-project.
- If you can’t handle stress and pressure.
Think you’re a fit?
Apply today.
It takes about ten minutes. Have a link to your best work ready.
Apply now →YouTube Video Editor
Job Summary
Join us as our next YouTube Video Editor. We build and run media teams for educational creators. The people who teach what they know for a living, and sell it. You edit their long-form talking-head videos and tutorials, and you edit for retention rather than for your reel. If you can read a retention graph and say what you would change, this is the job.
Your Role
An editor judged on whether people finish the video
You take raw footage and turn it into something people finish. The hook lands in the first thirty seconds, dead air is gone, and a viewer who knows nothing about the topic never gets lost or bored.
You work to clear milestones, a raw cut first and then V2, and you keep project files clean enough that anyone can open them. Feedback here is frame by frame, with timecodes and reasons, and it is expected to stick the first time.
This is a per-project role rather than a full-time one, and we still need full commitment and clear, consistent communication. Reliable turnarounds, no ghosting, and someone who treats the channel like it’s their own.
Ideal Candidate
- Basic colour grading and clean audio
- After Effects on top of Premiere Pro or DaVinci Resolve
- You can read a retention graph and say what you would change
- You cut ruthlessly: setup footage, duplicate takes, tangents, anything that stalls
- On-screen text, callouts and B-roll that support the point instead of decorating it
Requirements
- 3+ years editing long-form YouTube, with a portfolio of talking-head or education content
- Adobe Premiere Pro or DaVinci Resolve
- Fluent English
- Reliable turnarounds and consistent communication, no ghosting
- Daily project updates
- Clean, organized project files and milestone-based delivery (raw cut → V2)
What You’ll Do
Edit long-form videos (10–25 min) from raw footage to final
Engineer the first 30–60 seconds so viewers commit
Cut ruthlessly: setup footage, duplicate takes, tangents, anything that stalls
Build clean on-screen text, callouts, and B-roll that support the point instead of decorating it
Deliver to milestones on schedule and keep files organized
Turn frame-by-frame notes into revisions fast
You Shouldn’t Apply If
- You make things look good but lose the viewer. This role is NOT easy & requires real commitment. We’re looking for an editor who will put in the work that others won’t.
- You are stuck with your ideas or cannot take creative criticism.
- You need to be told the same thing twice. Notes here are frame level and they are expected to stick the first time.
- You take on more projects than you can deliver.
- If you can’t handle stress and pressure.
Think you’re a fit?
Apply today.
It takes about ten minutes. Have a link to your best work ready.
Apply now →Short-Form Social Media Manager
Job Summary
Join us as our next Short-Form Social Media Manager. We build and run media teams for educational creators. The people who teach what they know for a living, and sell it. You own short-form: what gets posted, when, and why it worked. Instagram, TikTok and YouTube Shorts, the whole surface where a stranger meets the brand for the first time. If you treat every post as a test, this is the job.
Your Role
The person who owns the short-form engine end to end
That means pulling clips from long-form, writing hooks, briefing or cutting the edits, scheduling, posting, and reading what the numbers say afterwards. You treat every post as a test and you know which ones told you something.
The bar is not that we posted consistently. The bar is that reach grows, the right people follow, and short-form sends real attention to whatever the client is actually selling.
We meet as a team every week to review the work, align on direction, and bring the content to the next level for more impact.
Ideal Candidate
- You understand each platform well enough to explain why the same clip performs differently on each
- Strong hook writing in English
- Able to cut a short-form video yourself in CapCut, Premiere or equivalent
- You can say exactly why your best-performing video worked
- You run the comments and DMs so attention turns into conversations
Requirements
- 2+ years running short-form for a brand or creator, with numbers you can show
- Fluent, native-level written English
- Available daily during your client’s working hours
- Daily project updates
- Work under tight deadlines
What You’ll Do
Own the short-form calendar across Instagram, TikTok, and YouTube Shorts
Mine long-form for clips worth cutting and write hooks that stop the scroll
Brief editors, or cut short-form yourself when it’s faster
Post, caption, and handle the platform-native details — covers, sounds, trends, formats
Read the data weekly: what got reach, what converted, what died, and what you’re changing because of it
Run the comments and DMs so attention turns into conversations, not just views
Report clearly on what’s working and push the next round of tests
You Shouldn’t Apply If
- You post on schedule and call that a strategy. This role is NOT easy & requires real commitment. We’re looking for someone who will put in the work that others won’t.
- You are stuck with your ideas or cannot take creative criticism.
- You cannot tell us why your best-performing video worked.
- You chase views the client cannot do anything with.
- If you can’t handle stress and pressure.
Think you’re a fit?
Apply today.
It takes about ten minutes. Have a link to your best work ready.
Apply now →